Archives du mot-clef Elisa Bollazzi

Hubert Renard & Microcollection

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Jeunes pousses d’Italie
16 mars – 29 juin 2013

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Hubert Renard construit et invente sa propre et possible carrière d’artiste, jouant à bousculer les éléments qui l’entourent et la font exister,son «paratexte». De son côté, Elisa Bollazi, directrice de Microcollection, rassemble depuis 1990 des microparticules d’oeuvres d’art glanées ici et là, et plante celles qui proviennent d’une oeuvre portant un nom végétal, en espérant les voir pousser. Pour l’un comme pour l’autre, les cadres de l’art sont bien aussi importants que la matérialité des oeuvres. La Salle des conditions atmosphériques accueille une plantation de semis d’oeuvres de jeunes artistes italiens provenant de MicroCollection, un jardin d’art mis en scène et médiatisé par Hubert Renard.

Microcollection

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SELF INTERVIEW 
Microcollection interviewed by Elisa Bollazzi

ELISA BOLLAZZI :   when and how did you get the idea for Microcollection?
MICROCOLLECTION :  In 1990. I was visiting the Venice Biennale and, almost by chance, picked up a few fragments  accidentally fallen onto the floor from a fantastic work by Anish Kapoor. These “microparticles”, overlooked by everyone else, opened up a  new world, an illumination! They triggered a completely fresh approach to meandering from gallery to gallery, from one museum to another.

EB :  How many  fragments does Microcollection own now?
M :  More than 700, also thanks to the precious help of artists, collectors, friends that constantly send me art-particles from everywhere.

EB : What do you do with  these donations?
M:  The fragments are filed  and can be viewed under a microscope in itinerant Cabinets de Regard, in which  the viewers can sense the invisible and the real essence of art.  Minimal Art, Conceptual Art, Arte Povera,  Fontana,  Penone, Paolini, Beuys, Buren, Cragg, Long, and so on.

EB : Tell us about your Art Sowings.
M : My Art Sowings  started in 2008 with the creation of  small green areas planted and cultivated with valuable microparticles of contemporary artworks whose titles clearly show the selection criteria adopted: The 3-meter tree by Giuseppe Penone, Watermelons by Piero Gilardi, Garden by Paul McCarthy, etc.

EB : Where about? 
M :  Bozen, Milan, Basel, Singapore, Costa Rica, and so on. In 2010 in Jerago with Waiting flowerbed, an area planted with art fragments next to a bench on which sit and wait for an utopic art-garden to grow, a thought-provoking space, a meeting point,  where the work of art starts a process that changes the way we look at the “art system”. A beneficial wait to stimulate creativity and start thought spaces  in the contemplation of a growing  art garden. In 2011,  I started the so-called project Art sowings on demand based on collaboration and faith.   They will help create  a cultural-artistic humus in parks and gardens all over the world.

EB : Is there any links between picking up art fragments and planting them?
M : After long years spent picking up the “invisible”, I am now ready to return the world  what I have lovingly collected so far.

EB : Anything to add?
M : « Artists don’t make objects. Artists make mythologies. » (Anish Kapoor)

www.microcollection.it
http://hubrenard.free.fr/