salle de consultation n°2

au mur Henri Chopin
To Ray the Rays Poème classique
[Vérone : Francesco Conz, 1992. 8 séries de 35 ex. chaque imprimées en
orange et bistre ; orange et bleu pâle ; orange et vert ; orange et rouge ; orange et ocre, orange et noir ; orange et gris ; orange et bleu.]
– Cet exemplaire imprimé en sérigraphie sur tissu blanc, format 217 x 154 cm,
en orange et rouge.
– Numéroté 4/5 A.P. et signé au feutre rouge.
inv. n° 059 20. Don.

Des enrichissements 2019 – 2022 deuxième partie

exposition ➨ 25/06/22 ➨ 10/09/22

Papier / [ɔʀ]

Exposition du 30 mars au 16 avril 2022

École nationale supérieure des beaux-arts de Lyon

Exposition en partenariat avec le Centre des livres d’artiste
Un choix d’œuvres de la collection du Centre des livres d’artistes (Cdla) effectué par des étudiant·e·s et professeurs de 2e et 3e année art de l’Ensba Lyon : Albane Bultel, Judith Dal Moro, Esteban Devignaud, Aloïs Jacquetin, Romain Monnot, Theophile Rolland, Lisa Rouchon, Charlotte Vignes, accompagné·es de Nicolas Romarie et Veit Stratmann.

Emmanuelle Waeckerlé

Walking in Air ‘de chez soi’ – 17/09/21 – 11.28 am

Whitehorse Meadow, SE25 London.

Walking in air in Thornton Heath, 17/09/2021,11.28am

Walking in Air ‘de chez soi’
a few notes before and after


Thornton Heath – 17/09/21, 9.48 am

Today, it is almost autumn, sunny outside finally, after a typical wet British summer and I am going to be walking in air for the second time, near my home in South London. The first time I went there to walk in air, it was on a cold January day in the middle of a long locked down winter, and it blew my mind. As I walked and paused in Whitehorse Meadow, it felt as if every particle of my body, of my mind and of my senses were dancing inside out, in on and with air. A hard act to follow, so I am trying to have no expectation beyond letting my body and my breathing do the thinking as I move through the weather world between earth and sky, joining one to the other.

As I am writing these few words on the pages of my sketchbook, I am distracted by the loud and clunky sounds of the binmen truck weekly collection in the street outside. I raise my eyes and come across this quote on my laptop screen. “As the crickets soft autumn hum is to us, so are we to the trees, as are they to the rocks and hills” (Gary Snyder’s words used by David Abrams to conclude his preface to his book “the spell of the sensuous, perception and language in a more than human world” (1997).

Walking in Air – Whitehorse Meadow, SE25 London – 17/09/21, 11.28 to 11.58 am

Thornton Heath – 17/09/21, 13.15 pm

I am now sitting in my garden, coffee in hand, not far from mamba comfortably and majestically stretched in the middle of an oversize cushion that she has claimed as her summer quarters. I hear water gurgling from the next door neighbour’s garden pond, a plane flying low over my head towards Gatwick airport, this never happened before lockdown.
I walked in air on familiar ground, from time to time thinking aloud in the weather world, zoom recorded held with both hands, arms stretched in front of me, to ensure stereo quality and minimal friction noise. It was not the mind blowing and boggling experience of my first attempt in January, but a gentle and close encounter with the ground, the sky, the air and everything, small and big, visible and invisible occupying it, a gradual becoming alert of all senses and nerve endings, while eyes, ears, skin, arms and feet danced in on and with air. My mind was happy to sit back and enjoy this pause from the chaotic juggling of my everyday, even more so now that the fast pace of life as we knew it is resuming without much warning. The only thoughts occupying her was wondering what the trees I couldn’t name, the birds and the foxes I couldn’t see but hear in the bushes and brambles, the crows, the wood pigeons, the sky, the insects, the grass, the horseradish and other wild plants, what did they all think of us ? How did they perceive us if at all. As one of them more than humans, or as hooligans responsible for the toxicity and slow demise of the environment we share.
I encountered three humans while walking in air today. One was walking his dog, another was walking purposefully fast with a full rucksack on his back, on what seemed to be some kind of circular circuit training since he passed us twice with the same speedy determination, just sweating a bit more the second time. The 3rd one was sitting on a bench next to his bicycle loaded with 2 satchels, checking his itinerary on his mobile phone. All of us walking, jogging, sitting in the same air, our breath coming and going and joining earth and sky.

Today Monday I went back to the Meadow to find out the names of the Trees and bush I couldn’t name with the help of my trusted ‘picture this’ app. The big old tree whose leaves were rustling in the breeze is a common Ash (Fraxinus excelsior). A big Butterfly Bush (Buddleja Davidii), also known as Summer lilac, was the temporary abode of hundreds of singing and whistling birds. It was now very quiet and interestingly enough, it was not where I expected to find it: it took me a while to locate it in this small meadow that I know inside out. This made me realise that perhaps my walking in air the other day had possibly been as mind altering as that first one.

© Emmanuelle Waeckerlé 2021

Carol Watts

Notes for Walking in Air
Carol Watts

Place

Walking on Blackheath, south-east London, 18 September 2021.

Blackheath is a flat plateau of heath and grass, which has a long and significant social history. In 1381 the Kent rebels under Wat Tyler met here with the King’s representatives during the Peasant’s Revolt (which arose out of the political tensions after the Black Death – one of the local (mistaken) apocryphal tales is that the heath was never built on, because of plague burials, hence the name)– it is a place of walking to, gathering and rallying. It is a place shaped by extraction – glacial gravel deposits dug for the London building trade and for ballast, reportedly for Versailles, bisected by Shooters Hill which is an ancient, once Roman, road. Any walk across Blackheath, at the top of an escarpment which is Greenwich, contends with crossing this traffic, which is continuous, and a low hum of endless noise, with occasional emergency vehicles; and with planes – the flightpath from a number of airports overhead, criss-crossing the sky with white contrails. It is a place of sky and clouds. Blackheath is a landing place for geese – Canada geese, Egyptian geese – and a large community of crows, occasionally starlings, ducks, sometimes a heron. It has four ponds, including one that appears and disappears. The space is currently being managed to increase biodiversity – the grass is cut for south-east Londoners to exercise, play football and fly kites, to hold spectaculars like the fireworks on November 5th, and also left as managed meadow margins, with the hay uncollected so that birds can benefit from the seeds. The grass is marked by darker circles where fungi expand their rings of spores each autumn.

During lockdown we took a walk across the heath each day, in all weathers, over months. I’ve lived close by for 27 years, but hadn’t experienced the heath in this way. The traffic reduced, the planes had stopped. It was possible to mark shifts in the everyday weather-world, and to breathe it in. There was for a while seemingly endless piercing sound from ambulances at the edge. The air was noticeably sweeter. There were also discoveries, since we were slower, not so end-focused on destination and time, noticing more. One was a small mound, slightly higher than the rest of the heath, normally passed by. Whitfield’s Mount is named for the Methodist preacher who gave sermons and sang hymns from that spot in the eighteenth-century to crowds of more than 20,000. Recently a rough sleeper built a hide there. It was a place for military target practice in the 17th century. This small elevation has been a place for speeches over the centuries: from popular rebellions and battles, to the Chartists, and suffragettes. It was originally named after Wat Tyler. It is thought that John Ball, one of the leaders of the peasants’ revolt, gave his famous sermon there :

When Adam delved and Eve span, who was then the gentleman? From the beginning all men by nature were created alike, and our bondage or servitude came in by the unjust oppression of naughty men. For if God would have had any bondmen from the beginning, he would have appointed who should be bond, and who free. And therefore I exhort you to consider that now the time is come, appointed to us by God, in which ye may (if ye will) cast off the yoke of bondage, and recover liberty.

The Mount feels like a symbolic place.
The focus of my walking lies close by the Mount. It is a ‘seasonal’ pond, which arrives in some years, and then disappears, depending on the amount of rain. It resembles the ‘ghost ponds’ now being mapped and recovered in Norfolk in the UK, in that when the water returns, various species of plant, long dormant, some thought extinct, begin growing again. This year the Blackheath seasonal pond seemed full for an extended time – reeds grew through the grass, along with water mint, ducks hung out there. There are no fish, but various amphibia sometimes return. At this moment the pond is dry, leaving a lush residue of plants, including some rare species. The water mint persists. If we have a dry winter, the pond will return to a depression in the grass, a lip in the earth.

There’s a good local summary of the connections ‘on foot’, here, with photographs. The first photo has the pond in the foreground.

Walking in Air

My aim is to walk this route to and around the seasonal pond regularly over the next months. The heath is an ‘open’ space, but one that has continually been captured and in occupation over hundreds of years. I’m interested, via this seasonal ‘ghost’ emergence and disappearance of the pond, to think about what surfaces to meet the air, how speech also finds soundings in it. This is less about tracks, and pathways, but about the process of ‘comings and goings’, as Ingold puts it, ‘such productive movements may generate formations, swellings, growths, protuberances and occurrences, but not objects’ (Ingold, Being Alive). If there are habitual tracks in the grass – which expanded in width over the last year during Covid – I’m less interested in traversals, like the Richard Long line in the grass – and more circularities, like mounds and ponds, which might seem each to be the obverse of the other. Earlier this summer I walked a Neolithic settlement, Hod Hill, in Dorset, and noticed both the curve and contours of occupation, and the Roman military rectilinear line of a later camp that had cut into it. My walking in air is less about lines than what in us and other species binds to circles, circumambulatory movements and formations. It’s also perhaps about portals, and kites.

I’ll be using drawing, poetry/voice, sound recording.

Marianne Schuppe

Tüllinger Hügel – September 18th

I ascended through vineyards and a garden-colony, crossed an expressway and turned right to follow a soft footpath. Dog roses and old fruittrees on both sides. Noticed that the nuts on some walnut trees were not green but black.Took a side-path mounting left after 15 minutes. Looked out for a wooden cabin I had visited 15 years ago. Found it was totally hidden in a thicket of bushes.
Squeezed myself through the thicket and found the cabin destroyed, window broken, door open. Sat on the planks in front of it. A thick green wall of bushes in front of me. Impossible to view through.
A shield. I sat a while. Turning my head over my left shoulder I spotted a book lying on the floor of the destroyed cabin. Bound in beige linnen, it’s title : Wie man Freunde gewinnt ». « How to win friends ». A robin sat close on a branch. Not irritated by my presence. Dry leaves on the planks.
Rustling as I touched them. I picked up the book and went through the pages. Smell of wet old paper. A piece of paper dropped from the pages. Traces of handwritten dates from the years 1974/75. I layed the book back on the planks in the cabin. I looked at the green thicket. I passed through my ascend to this place in air and ground and noted :

with
every
step
I
am
leaving
something
behind